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donde ni siquiera Dios tiene memoria

by Jacob Mason

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1.
C# 02:15
2.
F# 02:48
3.
B 03:03
4.
E 01:16
5.
A 01:32
6.
D 01:33
7.
G 02:01
8.
C 02:20
9.
F 01:41
10.
Bb 02:37
11.
Eb 03:29
12.
Ab 02:47

about

Doce Tonadas de Carácter Popular Chileno
by Pedro Humberto Allende Sarón

All but forgotten outside of his home country of Chile since his death, Allende was a very important and influential composer during his lifetime. He attracted praise from composers including Debussy and Mompou, and his music was performed by some of the leading performers of his day including Ricardo Viñes.

Each of these pieces consists of a minor-key tonada, a genre of Chilean folk ballad, coupled with a cueca, a folk dance popular throughout the Southern Cone region, in the relative major.

credits

released July 2, 2020

special thanks to Jordan Claspell for help with mastering some atrocious raw audio from a Zoom mic

and to Ricardo Ignacio Villalobos García for helping me find a title

cover photo: Vanadinite from Morocco

license

all rights reserved

tags

about

Jacob Mason Miami, Florida

"...clearly a talented player with a penchant for offbeat and demanding repertoire"
-Lawrence Budmen, South Florida Classical Review

"Mason’s playing was exceptional, with dazzling fingerwork and an ear for phrasing"
-George Grella, New York Classical Review

"I'm sorry you're so tormented"
-woman at an art fair

New England Conservatory
Frost School of Music
Hochschule für Musik Basel
... more

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